2017 I Love L.A., Praz-Delavallade, Los Angeles, CA, US Dress Me Up, Praz-Delavallade, Paris, FR
2016 Unconventional Clay: Engaged in Change, The Nelson-Atkins Museum of Art, Kansas City, MO, US
2015 Thief Among Thieves, Museum of Contemporary Art, Denver, CO, US
2014 Masks, JGM Galerie, Paris, FR
2013 Beg, Borrow and Steal (organized by the Rubell Family Collection), Palm Springs Art Museum, Palm Springs, CA, US More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR
2012 Across The Pacific, Young Artists from L.A., 313 Art Project, Seoul, KR
2011-2013 Sympathy for the Devil, Vanhaerents Art Collection, Bruxelles, BE
2011-2012 American Exuberance, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL, US
2010 Underground Pop, Parrish Art Museum, South Hamton, NY, US (Re)Form, H&R Block Space, Kansas City Art Institute, Kansas City, MO, US Shut Your Eyes In Order to See, Praz-Delavallade, Paris, FR Portugal Arte, Lisbon, Portugal, PT ; traveling to Depart Foundation, Rome, IT Contemporary Art from the Collection of Sarah and Jim Taylor, Myhren Gallery, University of Denver, Denver, CO, US The Library of Babel / In and Out of Place, 176 / Zabludowicz Collection, London, GB
2009-2010 Beg, Borrow and Steal, Rubell Family Collection, Miami, FL
2009 Second Nature: The Valentine-Adelson Collection at the Hammer, Hammer Museum, Los Angeles, CA, US In Bed Together, Royal/T, Los Angeles, CA, US 1999 : 10 Year Anniversary Show, China Art Objects, Los Angeles, CA, US Heads Up, Domestic Setting, Los Angeles, CA, US All That Was, Is, The Happy Lion, Los Angeles, CA, US LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC. Sculpture Park, Karyn Lovegrove Gallery, Los Angeles, CA, US Los Angeles : Aspects of the Archaic Revival, Galerie Uschi Kolb, Karlsruhe, DE
2008 Past and Present, Richard Carter Studio, Forestville, CA, US L.A. Now (curated by David Pagel), Las Vegas Art Museum, Las Vegas, NV, US Take Me There (Show Me The Way), Haunch of Venison, New York, NY, US Weighing and Wanting: 25 Years of Collecting, Museum of Contemporary Art San Diego, San Diego, CA, US Idle Youth, curated by Russell Ferguson, Gladstone Gallery, New York, NY, US Kabul 3000: Love Among The Cabbages, Galleria Zero, Milan, ITaly Past Forward, curated by Vincent Honoré, 176, London, UK Apocalypse Yesterday, curated by David Pagel, Peggy Phelps Gallery, Claremont Graduate University, Claremont, CA, US
2007 Fearful Objects, Kavi Gupta Gallery, Chicago, IL, US Sculptors' Drawings, Angles Gallery, Santa Monica, CA, US Hammer Contemporary Collection, Part II, Hammer Museum, Los Angeles, CA, US Distinctive Messengers, House of Campari, Los Angeles, CA, US Kairos, Kantor / Feuer Galllery, Los Angeles, CA, US Aspects, Forms and Figures, Bellwether, New York, NY, US
2006 Red Eye: Los Angeles Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL, US Bold Moves, curated by Simon Watson, House of Campari, Los Angeles, CA, US The Beginning of The End of The Beginning, Bucket Rider Gallery, Chicago, IL, US
2005 Thing: New Sculpture from Los Angeles, Hammer Museum, Los Angeles, CA, US Rogue Wave ‘05, LA Louver, Venice, CA, US WivesHusbands, domestic setting, Los Angeles, CA, US
2004 Cornceptual Popstraction, cherrydelosreyes, Los Angeles, CA, US (artist book) summer group show, cherrydelosreyes, Los Angeles, CA, US Supersonic, Windtunnel/Artcenter, Pasadena, CA, US
2003 I Am Human And I Deserve To Be Loved, Overtones Gallery, Los Angeles, CA, US
2001 The Cube, Kansas City, MO, US Jan Weiner Gallery, Kansas City, MO, US H&R Blockspace, Kansas City, MO, US
2000 Holding, KCAI Gallery, two person show, Kansas City, MO, US Gordon Gallery, Yountville, CA, US Richard Carter Projects, Napa, CA, US
2016 Mizota, Sharon, Review: Nathan Mabry’s Splendid Drawings And Smile-Inducing Sculptures, LA Times.com, April 28, 2016
2013 Howard, Halle, Ten Sculpture Exhibitions You Should See, Time Out New York.com, April 2013 Laster, Paul, Nathan Mabry, Bomblog, April 30, 2013 Schad, Ed, Art Review: Mashup Mock-Up: Nathan Mabry at the Nasher Sculpture Center, Frontrow.dmagazine.com, April 10, 2013 Kingsella, Eileen, 50 Under 50 Next Most Collectible Artists, Art+Auction Magazine, June 2013 Michals, Susan, Nathan Mabry Gets His Pre-Columbian Groove, The Huffington Post, April 26, 2013 Robinson, Gaile, Nathan Mabry Puts New Face on Staid Sculpture, Star Telegram.com, April 24, 2013
2011 Smith, Roberta, Free-for-All Spirit Breezes Into A Vast Art Fair, The New York Times, March 4, 2011, Fine Arts Leisure section, pp.1, 24 Pagel, David, Hybrid Forms Upend Culture, LA Times, January 14, 2011, p.D21 Griffin, Jonathan, Nathan Mabry, Frieze, January 27, 2011 Finkel, Jori, It Speaks to Me: Nathan Mabry, LA Times, January 12, 2011, p.D3 Melrod, George, LA Sculptors: Nathan Mabry: Mystical Hybrids, Art ltd., May 2011, pp.36-37
2010-2011 Dailey, Meghan, Fine Young Cannibal, Modern Painters, December 2010-January 2011, p.18
2009 Moreno, Ximena. Nathan Mabry Reencuentros,Arte Al Limite, Issue 36, Mayo-Junio 2009, pp: 50-55. Vitamin 3-D, Phaidon, London, UK, 2009, pp: 12, 182-183. Pratt, Ken. Nathan Mabry: It Is What It Isn’t,Wound Magazine, Issue 6, Spring 2009, cover image, pp.330-335. Miles, Christopher. All That Was, Is at the Happy Lion,LA Weekly, April 3-9, 2009, p. 53.
2008 Douglas, Sarah. Miami’s Silver Lining,Art + Auction, November 2008, p.134. Young, Paul. The New Mythmakers,Angeleno, October 2008, No. 91, pp. 80, 82. Rosenberg, Karen. Idle Youth,New York Times, August 14, 2008. Bedford, Christopher. Nathan Mabry,Frieze, Issue 116, June – August, 2008, p. 223. Dambrot, Shana Nys. Nathan Mabry at Cherry and Martin,Artweek, May 2008, Volume 39, Issue 4, p.16. Heffley, Lynne. Museums Team To Buy Mabry Work,Los Angeles Times, May 20, 2008, p.E3. Scarborough, James. Nathan Mabry at Cherry and Martin,Art in America, May 2008, p. 202-203. Frank, Peter. Figuratively Seeing,LA Weekly, April 4, 2008, p. 59. Pagel, David. Art is… in the spirit of Duchamp,Los Angeles Times, March 14, 2008, p.E24. Finkel, Jori. In The Studio,Art + Auction, March 2008, pp. 60-62, 64, 66. Weinberg, Lauren. Fearful Objects,Time Out Chicago, Issue 150, January 10, 2008. Chang, Helen. Why I Buy: Art Collectors Reveal What Drives Them,Weekend Journal, January 11, 2008, P. W7.
2007 Foumberg, Jason. External Pleasures,New City, December 27, 2007, p.18. Buck, Louisa and Melanie Gerlis. Zoo’s move out of the zoo is a success,The Art Newspaper, October 12, 2007, p.4. Kazakina, Katya. Saatchi Grabs Emerging Art at Zoo, Spin-off to London’s Frieze,Bloomberg.com, October 12, 2007. Finkel, Jori. A Museum That Lives Within Its Means,The New York Times, July 8, 2007. Bryant, Kathy. The Insider's L.A.,Art & Antiques, May 2007, p. 102-104. Melrod, George. It's HAMMER Time,Art Ltd. May 2007, p. 42-47, ill. Smith, Roberta. Art in Review; Michael Queensland,The New York Times, March 9, 2007. Cotter, Hollland. Aspects, Forms and Figures,The New York Times, March 2, 2007, p. E30. Haithman, Diane. $1-million new year’s gift to the Hammer,Los Angeles Times, January 5, 2007, p. E41.
2006 Gordon, Margery. Art Basel Miami: The City’s Best Private Collections,artinfo.com, December 10, 2006. Douglas, Sarah. Art Basel Miami: A Visit with the Rubells,artinfo.com, December 10, 2006. Smith, Roberta. More Than You Can See: Storm of Art Engulfs Miami,The New York Times, December 9, 2006. Speigler, Marc. LA Art Is Here to Stay: High-Profile Shows Drive Reappraisal,The Art Newspaper, Art Basel Daily Edition, December 8, 2006, pp. 1, 8. Crow, Kelly. In Miami, A Blur of Parties, Personalities, Shoes…and Art,The Wall Street Journal, December 8, 2006. Duncan, Arthur. Miami Mayhem,Culture and Travel, November / December 2006, p. 63. Douglas, Sarah. Miami Preview: A Survivor’s Guide,Art and Auction, November 2006, p.118-22. Goodell, Jennifer Wulffson. Nathan Mabry at Cherry and Martin,Sculpture Journal, Volume 15.2, 2006, pp. 153-54. Speaking Volumes: 19 Interviews, Art in America, November 2006, pp184-85. Melrod, George. Nathan Mabry at Cherry and Martin,Sculpture, November 2006, pp. 70-71. Spiegler, Marc. Trends: American Renaissance,The Art Newspaper, No. 171, July-August, 2006, p. 32. Spiegler, Marc. American Renaissance,The Art Newspaper, Art Basel Daily Edition, June 14, 2006, p. 6. Myers, Terry. Nathan Mabry: A Very Touching Moment,Modern Painters, May 2006, p. 113. Finkel, Jori. Nathan Mabry,Artnews, May, 2006. Miles, Christopher. Nathan Mabry,Flaunt, Spring 2006, Vol. 72, p. 248. Ollman, Leah. A Sculptor Who Loves To Play Tricks,Los Angeles Times, March 10, 2006.
2005 Knight, Christopher. Come and Gather Around the Llama For an Intimate Chat,Los Angeles Times, November 25, 2005. Janku, Laura Richard. Nathan Mabry's Jackin', Stackin', Crackin' Sculpture,artinfo.com, October 27, 2005. “LA Louver Catches Rogue Wave, Santa Monica Mirror, June 29-July 5, 2005. Pagel, David. Summer Sampler has a dark side,Los Angeles Times, July 8, 2005. Firstenberg, Lauri. Thing,Frieze, July 2005. Bedford, Christopher. Hot Young Things,X-TRA: Contemporary Art Quarterly, Vol. 7 No. 4, Summer 2005. Miles, Christopher. The Idolater’s Revenge,Flash Art, May-June 2005. Mack, Johsua. Thing: New Scultpure from Los Angeles,Modern Painters, April 2005. Holte, Michael Ned. West Coast Thing,Artforum, February 10, 2005. Lu, Angela. Hammer exhibit helps shape alumni’s careers,Daily Bruin Magazine, February 3-9, 2005. Knight, Christopher. The next big ‘Thing’ in L.A.Los Angeles Times, February 9, 2005. Harvey, Doug. Things to see in LA,KUSC fm 91.5, February 2005. Harvey, Doug. Good Thing,LA Weekly, February 4-10, 2005. Roug, Louise. Object Lessons,Los Angeles Times, January 2, 2005.
2004 Frank, Peter. Pick of the Week: Cornceptual Popstraction,LA Weekly, December 2-8, 2004. Cornceptual Popstraction. collaborative artist book, November 2004. Freeman, Tommy. Summer Group Show at cherrydelosreyes,Artweek, October 2004.
2003 Harvey, Doug. Young Outsiders at Overtones,LA Weekly, August 2003. Puleo, Antonio Adriano. Pornigami,Beautiful/Decay, 2003.
2001 Hackman, Kate. Show at Jan Weiner Gallery,The Review, 2001.
2009 CAArt : Public Works (Drooling Muse), installed at Creative Artists Agency, 2000 Av. of the Stars, Los Angeles, CA, US Process Art (Dead Men Don't Make Sculpture) installed at the Hammer Museum, Los Angeles, CA
2008 Process Art (Dead Men Don't Make Sculpture) installed in front of the Museum of Contemporary Art, San Diego, La Jolla, CA
2006 Nathan Mabry: Old Fashioned Fourth of July Celebration and Parade, Aspen Museum of Art, Aspen, CO
Los Angeles County Museum of Art, Los Angeles, CA, US Rubell Family Collection, Miami, FL, US Kent and Vicki Logan Collection, San Francisco, CA / Denver, CO, US Museum of Contemporary Art San Diego, San Diego, CA, US The Saatchi Collection, London, UK Hammer Museum, LosAngeles, CA, US Zabludowicz Art Collection, London, UK Whitney Museum Of American Art, New York, NY, US Weisman Foundation, Malibu, CA, US